In 1871, taking advantage of the Homestead Act, Mary Rickman Anderson and her husband David paid the $10 fee and headed out across Kansas to claim their 160 acres. The family’s first home was a sod house, so poor that their children slept in beds suspended from the cellar rafters – the only way to protect them from snakes and insects.
After David’s death the following April, Mary, and her eight children had to work extra hard to keep their land but they did, and eventually, they built a new home from limestone found on their property. And 18 years later, in 1889, Mary finally had full ownership of the farm after she made the final $8 payment on the land.
This is just one of the many stories that Francesca Catalini, 32, uncovers every day as she documents the histories of the disintegrating structures across the Kansas prairies.
“I moved from Colorado three years ago to a small town just outside Wichita,” explains Francesca. “Out west, I was accustomed to shooting mountains and old abandoned mining towns. During my first week in town, I began exploring the Two Lane backroads. I’d drive for miles with stretches of nothing then suddenly happen upon a crumbling building in the middle of nowhere. Like a moth to a light, I’d find myself outside my car, knee-deep in prairie grass, with my camera clicking away.”
The only problem: When she was ready to post her photos on Instagram, Francesca had no idea how to caption the images. Rather than resorting to a worn-out cliché about “the road less traveled,” she took prints of her photos and began knocking on the doors of the neighbors and farmers nearby to see what they knew about these ruined buildings, information she could use to caption her art. What began as a hobby has now evolved into a full-blown preservation project as Francesca works to save the stories of the small towns and settlements that dot the Kansas prairie.
“I’ve come to find that farmers know everything. If you consider generations of the same family cultivating the same soil for all those years, you can bet stories have been handed down about the area.”
On top of that, Francesca uses “old school” research tools like the library, microfilm, genealogy books, newspapers, and the local historical society to help identify the subjects of her photos. Her favorite method is simply approaching the locals in town and starting a conversation — a concept that to some may seem as archaic as the structures in question.
“Strangers don’t talk anymore. I feel like we look down at our phones more than we look into the eyes of the people on the streets. I can’t tell you how many times these chance encounters have led to introductions with relatives, teachers, and community members who’ve helped me understand the impact of these places when they were in their prime. Sometimes simply asking about them brings back an appreciation for the soul of the town”
The clock is ticking on the race to save these stories because many of the storytellers Francesca interviews are nearing the end of their lives. They hold the keys to the area’s history, and she feels keenly the responsibility to gather and preserve their memories about the places that shaped them.ve their first-hand experiences about the places that shaped them.
“Many of these places have little to no documentation and sometimes they’re 100-years-old. The unstable state of the structures with their sunken roofs, creaky floors, and remote locations can be intimidating. The current rundown state of general stores, churches, post offices, and mills should not dictate or lessen their significance. Their stories are radically important to the thread of the town. I never want people to walk past an old building, not knowing its role in the community.”
Francesca hopes that her photos and their stories will inspire others to get curious about old buildings in their own state and beyond.
“Your personal experiences in your hometown give you roots there. What’s even more incredible to me is how a place that holds no ties to you, can latch on and make you feel part of it. It’s the emotional connection to the story that leaves a lasting impression. With each picture, every conversation, it’s my hope that I can take these memories and preserve them as an inclusive piece of local history through my lens.”